Classical Music Compositions Codexery

Pachelbel's Canon

A Baroque canon that became a ubiquitous wedding and funeral piece.

Pachelbel's Canon

Pachelbel's Canon (also known as Canon in D, P 37) is an accompanied canon by German Baroque composer Johann Pachelbel (1653–1706). The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major. The piece is constructed as a true canon at the unison in three parts, with a fourth part as a ground bass throughout. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842.

born
1653
died
1706
field
Baroque music composition
nationality
German
known_for
Pachelbel's Canon (Canon in D)

Verified Timeline

183818421961196819701974197519761985

Lore & Background

In his lifetime, Pachelbel was renowned for his organ and other keyboard music, whereas today he is also recognized as an important composer of church and chamber music. Little of his chamber music survives, however. Only Musikalische Ergötzung—a collection of partitas published during Pachelbel's lifetime—is known, apart from a few isolated pieces in manuscripts. The Canon and Gigue in D major is one such piece. A single 19th-century manuscript copy of them survives, Mus.ms. 16481/8 in the Berlin State Library. It contains two more chamber suites. Another copy, previously in Hochschule der Künste in Berlin, is now lost. The circumstances of the piece's composition are unknown. Hans-Joachim Schulze, writing in 1985, suggested that the piece may have been composed for Johann Christoph Bach's wedding, on 23 October 1694, which Pachelbel attended. Johann Ambrosius Bach, Pachelbel, and other friends and family provided music for the occasion. Johann Christoph Bach, the oldest brother of Johann Sebastian Bach, was a pupil of Pachelbel. Pachelbel scholar Kathryn Jane Welter considers this 'pure speculation'. Another scholar, Charles E. Brewer, investigated a variety of possible connections between Pachelbel's and Heinrich Biber's published chamber music. His research indicated that the Canon may have been composed in response to a chaconne with canonic elements which Biber published as part of Partia III of Harmonia artificioso-ariosa. That would indicate that Pachelbel's piece cannot be dated earlier than 1696, the year of publication of Biber's collection. Other dates of the Canon's composition are occasionally suggested, for example, as early as 1680.

Reader's Guide

Like his other works, Pachelbel's Canon went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade. This rendition was done in a more Romantic style, at a significantly slower tempo than it had been played at before, and contained obbligato parts, written by Paillard. The Paillard recording was released in June in France by Erato Records as part of an LP record that also included the Trumpet Concerto by Johann Friedrich Fasch and other works. In 1970, a classical radio station in San Francisco played the Paillard recording and became inundated by listener requests. The piece gained growing fame, particularly in California. In 1974, London Records reissued a 1961 album of the Corelli Christmas Concerto performed by the Stuttgart Chamber Orchestra, which happened to contain the piece, now re-titled to Pachelbel Kanon: the Record That Made it Famous and other Baroque Favorites. The album was the highest-selling classical album of 1976. Its use from 1975 in television ads for Pure New Wool popularised the piece in Britain and Ireland. By the early 1980s its presence as background music was deemed inescapable. The composition is famously used in weddings and funeral ceremonies in the western world. The canon is in three voices spaced by a span of two measures; it unfolds over an ostinato in the bass which provides the harmonic basis for the piece, implying a progression of eight chords. The harmonic progression follows a sequential pattern known as the Romanesca. Pachelbel's canon merges a strict polyphonic form (the canon) and a variation form (the chaconne).

Did You Know?

Frequently Asked Questions

Who is Pachelbel's Canon?

Pachelbel's Canon (Canon in D, P 37) is an accompanied canon written by the German Baroque composer Johann Pachelbel (1653–1706). It was originally scored for three violins with a basso continuo accompaniment.

What is Pachelbel's Canon's role in the musical world?

Though it began as a modest Baroque exercise, the piece has become one of the most ubiquitous melodies in Western wedding and funeral ceremonies. Its endlessly repeating chord cycle makes it instantly recognizable even to people with no formal training in music.

How does Pachelbel's Canon's story end?

In its original pairing, the canon is followed by a lively gigue, so the complete work is titled Canon and Gigue for Three Violins and Basso Continuo. The gigue brings a contrasting, dance-like close after the canon's slow, circular repetitions.

Why is Pachelbel's Canon important?

Its eight-chord progression has become a foundational template that countless later composers and songwriters have borrowed or echoed. Its near-universal presence in ceremonies, films, and pop arrangements makes it one of the most culturally embedded pieces of Baroque music.

When was Pachelbel's Canon composed?

Neither the exact date nor the circumstances of its creation are known, and scholars place it anywhere between 1680 and Pachelbel's death in 1706. It remains a mystery surrounded by the same quiet obscurity as much of his other output.

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